
DIRECTOR
Sara Riippa is a Finnish-Australian filmmaker passionate about telling feminist stories and highlighting the female experience on screen. She directed a short horror-comedy, Harvest (2021), that exhibited at Melbourne Fringe Festival, and has a Bachelor of Film and TV (Honours) at Swinburne University. She has studied acting at NIDA Open, Howard Fine, 16th Street, Improv Conspiracy and the Australian Shakespeare Company, and has credits across theatre, short and feature film.
Sara was nominated for an Australian Screen Editors Guild award in 2023 for Most Outstanding Student Editor and has cut numerous projects that have screened at festivals such as Byron Bay International, Stellar Film Festival, and St Kilda Film Festival.









INSPIRATION
Before I began playing tennis at the age of 10, my dad would drag my brother and I to his weekend tournaments. On our first trip to the Cobram Labour Day Tennis Tournament in 2010, we watched him win the A Grade Men’s Singles against a man named Hot Dog! After attempting to find my passion through other sports, I eventually came around to the community I had been brought up with. I started to enter the Cobram tournament and now, after 16 years, more than 70 members from our tennis club make the road trip from Melbourne every year.
As I got older, the main focus of the weekend was not on winning matches but trying to connect with other young people from my club. In making this film, I wanted to explore the unexplainable yearn for non-romantic male validation that I, and other young women, have experienced but never properly acknowledged before.
Tennis is a sport that spans generations: from life-long club members in their 70s and 80s, to families with teens and children. Despite being amongst the top five most-played sports in Australia, stories from this corner miss the limelight. The short film Whose Serve? showcases the local Victorian tennis scene, a world where everyone is meshed together for one long weekend, and contrasting ideologies about male and female relationships emerge. This coming-of-age comedy reflects the pressure for romantic connection and explores the myth that “guys and girls can’t just be friends”.